I have always believed that music must have a purpose — to heal, to shift consciousness, to awaken something in us. Vibrations and words are not just sound — they are magic, and that is something sacred.

Artists who honor that truth are more than performers. They are earth angels, healers, and messengers. They understand their assignment: to guide us, to remind us, to call us back to ourselves. And this is why I am so deeply grateful for Iniko.

This blog is both my reflection today and a continuation of what my dear friend Grace Wong-Si-Kwie wrote for iloveinspiration.nl back in 2018, when APESHT* first shook the culture. Her words captured the urgency of that moment. Mine carry it forward into a divine frequency.

When Gaga says she “blacks out” during performance, what she’s really describing is channeling. In mysticism and performance art, there is a state where the ego dissolves and Spirit takes over.

Being raised in a predominantly Caucasian environment, I didn’t always see myself reflected in the world around me. But I found mirrors in music

You tell yourself: This must be it, the love of my life. But here’s the truth: that intensity isn’t always love. Most of the time, it’s your shadow.

Distractions lose their shine. Chaos feels heavier. The games people play become more obvious. Suddenly, you can spot the difference between someone who’s genuinely showing up for you and someone who’s only here for what they can take.

There is a sacred law written not in books, but in blood, in womb, in whisper. And that law is this: a woman is not just a partner, she is a portal. To hurt her is to block the divine.

As a spiritual adviser, I’ve seen firsthand, through countless tarot readings, that what people call “relationship issues” are often signs of deeper energetic warfare.”

Transmutation is the ancient, sacred art of turning one form of energy into another.